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The Peter Wexler Papers

Identifier: BUSC-2011-002

Scope and Contents

The Peter Wexler Collection contains materials from his professional career from 1948-1969 and includes programs, reviews, correspondence, production plans, notes, and photographs. Flat files contain drawings and prints of lighting, set, stage, and costume designs, as well as photographs and paint elevations.


  • 1948-1969

Language of Materials


Administrative History:

Born in Brooklyn at the height of the Depression, Peter Wexler was an avid fan of the arts from a young age. As a child he attended Children's Concerts at Carnegie Hall and children's art classes at MoMA. He spent his summers as a teen as an apprentice to the Cleveland Playhouse in Chautauqua, New York (the Cleveland Playhouse's summer home), and then as the assistant scenic artist to Ed Gallager for the Chautauqua Opera Association.

In high school he spent his afternoons designing for school productions and drawing at the Art Student's League, while spending his evenings serving as one of Rudolf Bing's first acting, dance student-supers at the Metropolitan Opera. At the University of Michigan's School of Architecture and Design, Wexler studied painting, photography, and design, and received a Bachelor of Science degree in Design, after which he enrolled in the Graduate School of Drama at Yale.

Wexler's career has been marked with tremendous achievements in collaborative art, as he has worked in scene, costume, and lighting design and as producer in theatre, opera, music, television, and film. On Broadway, he has designed for such shows as Murderous Angels, The Trial of the Catonsville Nine, Camino Real, and In the Matter of J. Robert Oppenheimer, while his off-Broadway design work includes War and Peace at the Phoenix Theatre, Anthony and Cleopatra at the Hecksher Theatre, and Brecht on Brecht at the Theatre de Lys. His portfolio also boasts of the work he has done on operas for The Metropolitan Opera, and concerts for the New York Philharmonic, the Boston Symphony, the L.A. Symphony, the Dallas Symphony Orchestra, the National Symphony Orchestra, and the Denver Symphony Orchestra.

Wexler's television credits include designs for The Merv Griffin Show, the Cleo Awards Ceremony, and ABC World News Tonight with Peter Jennings; and his film credits extend to Andy (1965), Happy Time (1967), Camino Real (1970), The Trial of the Catonsville Nine (1973), and Les Troyens (1973). He has also helped found regional theatres, and consulted on the design of theatres and concert performance spaces. Serving as producer, he has also worked on large outdoor music festivals for prominent artists and bands, such as Van Cliburn, Mstislav Rostropovich, the Dixie Chicks, and Willie Nelson; and large museum exhibitions for the Smithsonian Institution, among others.

He has received many awards for his work, and has held 18 one-man shows. His current work now focuses on painting, large scale public sculpture, and photography.


57 Linear Feet (Collection consists of 27 boxes and 10 flat file drawers.)


Peter Wexler (b.1936-) has been working for seven decades in performance art, as a designer of scenery, costumes, lighting, concerts, performance space, and outdoor concert facilities, as well as a producer and as a studio artist. He studied at the University of Michigan, graduating in 1958, and attended the Yale School of Drama. During the 1960s and 1970s, he actively exhibited his drawings and painting in numerous journals and magazines, as well as in galleries such as the Wright-Hepburn-Webster Gallery in New York City, the Kennedy Center for the Performing Arts, and the Cooper-Hewitt Museum of the Smithsonian Institution. His Broadway credits include Murderous Angels, The Trial of the Catonsville Nine, Camino Real, and In the Matter of J. Robert Oppenheimer.

He founded his own production company, Peter Wexler, Inc., as a way to promote, design, plan and execute for a variety of theatrical events. The Peter Wexler Papers contain materials from his professional career from 1948-1969.
Guide to the The Peter Wexler Papers
Cheryl Spiese, Mary Tuttle
Description rules
Describing Archives: A Content Standard
Language of description
Script of description

Repository Details

Part of the Binghamton University Libraries Special Collections Repository

Binghamton NY 13902 USA