Overview From the Collection: The Max Reinhardt Library and Archives at Binghamton University is one of several notable collections worldwide of books and manuscripts dealing with the work of the Austro-German theatre director Max Reinhardt (1873-1943). It contains approximately 15,000 books from Reinhardt’s personal library and over 10,000 manuscripts, items of correspondence, photographs, programs, critical reviews, directorial promptbooks, writings, and related supporting materials totaling approximately 100 cubic...

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Olympia Hall, London; 1911: programs and promptbook

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Deutsches Theater, Berlin; 1909: costume and scene designs

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Die Orestie Aeschylus Zirkus Schumann, Berlin; October 3, 1911 Die Orestie Aeschylus Grosses Schauspielhaus, Berlin; December 2, 1919 Jaákobs Traum R. Beer-Hofmann Deutsches Theater, Berlin; November 9, 1919 Die geliebte Stimme J. Cocteau Wir wollen träumen S. Guitry (director-P. Kalbeck) Josefstadt, Vienna; February 1934

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Die Orestie Aeschylus Theater des Westen, Berlin; 1900 theater uncertain, Berlin; ca. 1911 theater and year uncertain

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Fritz Thimig

Overview From the Collection: The Max Reinhardt Library and Archives at Binghamton University is one of several notable collections worldwide of books and manuscripts dealing with the work of the Austro-German theatre director Max Reinhardt (1873-1943). It contains approximately 15,000 books from Reinhardt’s personal library and over 10,000 manuscripts, items of correspondence, photographs, programs, critical reviews, directorial promptbooks, writings, and related supporting materials totaling approximately 100 cubic...

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Campo di San Trovaso, Venice; 1934: scene designs and construction

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25 Jahre Max Reinhardt Deutsches Theater, Berlin; May 31, 1930

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Letter to Lili Darvas from Walter Liebman in which was enclosed the proposed contract for Max Reinhardt’s services as director of “La Belle Helene,” March 17, 1943 (R1203 photocopy)