Folder 60

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Großes Schauspielhaus, Berlin; 1919 Director: Max Reinhardt

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Theater in der Josefstadt, Vienna; 1936 Director: Ernst Lothar

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Letter (typed copy?), unsigned: Edmund Reinhardt to Schweizerische Kreditstalt Zürich, concerning Leo Reinhardt, November 27, 1923 and telegraph: Edmund Reinhardt to to Schweizerische Kreditstalt Zürich, 1923 (R5918 (o) and R5926 PrM (o))

Overview From the Collection: The Max Reinhardt Library and Archives at Binghamton University is one of several notable collections worldwide of books and manuscripts dealing with the work of the Austro-German theatre director Max Reinhardt (1873-1943). It contains approximately 15,000 books from Reinhardt’s personal library and over 10,000 manuscripts, items of correspondence, photographs, programs, critical reviews, directorial promptbooks, writings, and related supporting materials totaling approximately 100 cubic...

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L. Berger Cymbeline W. Shakespeare (adaptation by L. Berger) Deutsches Theater, Berlin; 1919 M. W. Bims Don Karlos oder Der Infant von Spanien oder Der Sohn unnatürliche MR Kletschkau, city uncertain; year uncertain E. Birron Hamlet W. Shakespeare theater uncertain, Breslau; September 5, 1913

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Hanneles Himmelfahrt G. Hauptmann Die Romantischen E. Rostand Reinhardt Seminar, Vienna; March 11 and 13, 1932 Das Apostelspiel M. Mell Der fahrende Schüler am Paradies H. Sachs Reinhardt Seminar, Vienna; May 26 and 30, 1933 Der Tor und der Tod H. v. Hofmannsthal Der Ackermann aus Böhmen J. Gregor Reinhardt Seminar, Schönbrunner Schlosstheater, Vienna; February 12-13, 1937

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February 24, 1929-March 20, 1929

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Correspondents include: Soc. An. Sestieri and C., Société Universelle de Théatre, Paul Spadoni on behalf of The World's Theaterical Exchange, Eduard Spiess

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Folder contains the following: 1) COPY Der Regisseur Max Reinhardt und seine Regiebücher von Franz Hadamowsky (Source: Neue Zürcher Zeitung, 26.Oktober.1963; 2) Sixteen (16) typed pages, Lübecker Bühnenbuch. 1946/47, "Epitaph: Max Reinhardt" von Gustav Hillard (note from former curator indicates this was used by Gerhardt Reinhardt in writing his book).

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Deutsches Theater, Berlin; 1932: rehearsal and scenes