Box 34
Contains 204 Results:
Letter to Lili Darvas from Walter Liebman, 1943
Letter to Lili Darvas from Walter Liebman in which was enclosed the proposed contract for Max Reinhardt’s services as director of “La Belle Helene,” March 17, 1943 (R1203 photocopy)
Draft of proposed contract with the New Opera Company, Inc., 1943
Draft of proposed contract with the New Opera Company, Inc. regarding La Belle Helene mentioned in letter in Box 33, Folder 1, prepared by Law Offices of Liebman and Eulau, March 17, 1943 (R1204 photocopy)
Letter to Lili Darvas from Walter Liebman, 1943
Letter to Lili Darvas from Walter Liebman concerning copy of letter sent to Yolanda Mero-Irion in regards to La Belle Helene, March 17, 1943 (R1206 photocopy)
Note written during Fledermaus performance in Paris, 1933
Note written during Fledermaus performance in Paris. Signed by Lotte Schöne, Max Reinhardt, Helene Thimig, L. Kainer (Ludwig?), Margaret Kainer, Richard Gerner, Wlad. Sokoloff, Emanuel List, Franz and Bettina Brahn, December 1, 1933 (R2250 PrM poor photocopy)
Contract between the management of the Deutsches Theater, Kammerspiele, Grosses Schauspielhaus, and Felix Hollander, 1923
Contract between the management of the Deutsches Theater, Kammerspiele, Grosses Schauspielhaus and Felix Hollander, Berlin, June 6, 1923. Hollander agrees to write the music for Die fromme Helene by Sylvester (R2675 PrM photocopy)
Contract between Julius Rudolph and the Deutsches Theater, 1907
Contract between Julius Rudolph, director of the Residenz-theater and the Deutsches Theater, Berlin, 1907. Deutsches Theater is renting the Residenz Theater in Hannover for the performance of Friedensfest by G. Hauptmann on March 27, 1907 (R2676 PrM photocopy)
Letter from Dr. Frankfurter to the European Film Alliance, 1922
Letter from Max Reinhardt’s lawyer, Dr. Frankfurter, to the European Film Alliance re: how to proceed with an existing contract, May 24, 1922 (R5059 PrM (o) 1 photocopy, 1 typed copy)
Handout to special student rehearsal, 1935
Handout to special student rehearsal designed to illustrate Max Reinhardt’s directorial techniques, Max Reinhardt’s first American stage production of The Eternal Road by Franz Werfel, January 9, 1935, with handwritten footnote by Hel. Thimig (R5086 PrM(o) 1 photocopy, 1 typed copy)
Letter and bill from Greenbaum, Wolff and Ernst to Rudolf Kommer, 1937-1938
Letter and bill: Greenbaum, Wolff and Ernst to Rudolf Kommer concerning The Eternal Road, November 23, 1937, January 25, 1938 (R5385 PrM (o))
Letters, bills, etc. from Friedhof Weißensee to Max Reinhardt, 1935
Letters, Bills, etc. from cemetery (Friedhof Weißensee) to Max Reinhardt , (graves of Irene Goldmann, Adele Leumann and Wilhelm/Rosa Goldmann) 1935 (R5386 (o))