Box 27
Contains 107 Results:
The rag-lad of bagdad, Sigmund Romberg and Al Jolson, 1918
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Roses of picardy, Haydn wood, 1916
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Sally down our alley, Sigmund Romberg and Herman Timberg, 1918
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
See you later, Jean Schwartz, 1918
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
The sunshine of your smile, Lilian Ray, 1915
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Swanee, George Gershwin, 1919
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
The sweetheart of sigma chi, F. Dudleigh Vernor, 1912
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Sweethearts, Victor Herbert, 1913
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Tip toe through the tulips with me, Joe Burke, 1929
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
To the land of my own romance, Victor Herbert, 1911
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.