Box 28
Contains 187 Results:
Hold me, Little Jack Little, Dave Oppenheim & Ira Schuster, 1933
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
How high can a little bird fly? Arthur Schwartz, 1934
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
I double dare you, Terry Shand & Jimmy Eaton, 1937
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
I promise you, Little Jack Little, 1931
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
I saw stars, Maurice Sigler, Al Goodhart & Al Hoffman, 1934
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
I wouldn't change you for the world, Isham Jones, 1931
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
If, Robert Hargreaves & Stanley, 1950
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
I'll be blue just thinking of you, Pete Wendling, 1930
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
I'll never say never again again, Harry Woods, 1935
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
I'll string along with you, Harry Warren, 1934
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.