Box 28
Contains 187 Results:
Is it true what they say about Dixie? Irving Caesar, Sammy Lerner & Gerald Marks, 1936
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
It had to be you, Isham Jones, 1939
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Leanin' on the ole top rail, Nick Kenny & Charles Kenny, 1939
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Let's get friendly, Dan Dougherty, 1931
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Let's take a walk around the block, Harold Arlen, 1934
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Lights out, Billy Hill, 1935
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Little white lies, Walter Donaldson, 1930
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Here comes cookie, Mack Gordon, 1935
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Lulu's back in town, Harry Warren, 1935
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Mary's a grand old name, George M. Cohan, 1932
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.