Box 28
Contains 187 Results:
Five minutes more, Jule Styne, 1946
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
The girl that I marry, Irving Berlin, 1946
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Friendly tavern polka, Frank De Vol, 1941
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Goodnight soldier, Harry Johnson, 1943
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
The gypsy, Billy Reid, 1946
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
Hop scotch polka, William Whitlock, Carl Sigman & Gene Rayburn, 1949
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
How are things in Glocca Morra, Burton Lane, 1946
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
How soon, Carroll Lucas, 1947
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
The hut - sut song, Leo V. Killion, Ted McMichael & Jack Owens, 1941
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.
I heard you cried last night, Ted Grouya, 1943
This sub-series comprises sheet music collected by William Klenz, featuring popular published songs for piano and voice. The collection reflects the prevalent musical trends of that time, providing valuable insight into the songs considered significant by Klenz for practice purposes. The file descriptions include the name of the songwriter along with the title of the song.