Box 33
Contains 5 Results:
G.M. Bononcini, Op.I, 1-end, undated, approx 1958-1983
This sub-series features music hand-copied by Klenz related to the book. The initial files from the 1958 date range include chapters on baroque instrumental music labeled with page numbers. The subsequent files categorize G.M. Bononcini's music from Op. I to Op.XII. The collection also includes hand-copied music selections such as sonata per camera, silvani, and other supplement selections by William Klenz.
G.M. Bononcini, Op.II, 1-end, undated, approx 1958-1983
This sub-series features music hand-copied by Klenz related to the book. The initial files from the 1958 date range include chapters on baroque instrumental music labeled with page numbers. The subsequent files categorize G.M. Bononcini's music from Op. I to Op.XII. The collection also includes hand-copied music selections such as sonata per camera, silvani, and other supplement selections by William Klenz.
G.M. Bononcini, Op.III, 1-end, undated, approx 1958-1983
This sub-series features music hand-copied by Klenz related to the book. The initial files from the 1958 date range include chapters on baroque instrumental music labeled with page numbers. The subsequent files categorize G.M. Bononcini's music from Op. I to Op.XII. The collection also includes hand-copied music selections such as sonata per camera, silvani, and other supplement selections by William Klenz.
G.M. Bononcini, Op.IV, undated, approx 1958-1983
This sub-series features music hand-copied by Klenz related to the book. The initial files from the 1958 date range include chapters on baroque instrumental music labeled with page numbers. The subsequent files categorize G.M. Bononcini's music from Op. I to Op.XII. The collection also includes hand-copied music selections such as sonata per camera, silvani, and other supplement selections by William Klenz.
G.M. Bononcini, Op.V, undated, approx 1958-1983
This sub-series features music hand-copied by Klenz related to the book. The initial files from the 1958 date range include chapters on baroque instrumental music labeled with page numbers. The subsequent files categorize G.M. Bononcini's music from Op. I to Op.XII. The collection also includes hand-copied music selections such as sonata per camera, silvani, and other supplement selections by William Klenz.