Box 40
Contains 13 Results:
"The genesis of a string quartet", Op.10, copy proofed by Edith, May 10, 1983
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"The genesis of a string quartet", Op.10, copy proofed by Mel, 1983
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"From bergen to the boulevards", handwritten manuscript, 1983
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"From bergen to the boulevards", typed copy & musical examples, 1983
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"Debussy", undated, approx 1958-1983
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"The play party game", undated, approx 1958-1983
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"Music and dance in the renaissance", 1964
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"Sonate", que me veux-tu?, manuscript, 1983
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"Tristan d'Orphee", undated, approx 1958-1983
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.
"The New Yorker", Nov 11, 1967
This sub-series is a collection of papers authored by William Klenz, featuring a variety of formats including handwritten copies, typed manuscripts, and papers with musical examples. Additionally, Klenz's notes on scales, notations, and sound are included in this sub-series. Each file in the sub-series is described with the corresponding title of the paper, offering a comprehensive overview of Klenz's written contributions to the field.