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Reinhardt, Max, 1873-1943

 Subject
Subject Source: Lcnaf

Found in 7 Collections and/or Records:

Tilly Losch papers and artworks

 Collection
Identifier: BUSC-2014-001
Overview Ottilie Ethel Leopoldine Herbert, Countess of Carnarvon (née Losch; 1903–1975), known professionally as Tilly Losch, was an Austrian dancer, choreographer, actress and painter. A graduate of the Vienna Opera Ballet School, Losch worked with Max Reinhardt for productions such as of A Midsummer Night's Dream (1927) and The Miracle (1932). The Tilly Losch collection consists of incoming and outgoing correspondence as well as legal documents, banking...
Dates: 1907 - 1991; Majority of material found in 1930-1975

Photo album - Max Reinhardt part 1

 Item — Box 35, item: 6
Overview From the Collection: The Max Reinhardt Library and Archives at Binghamton University is one of several notable collections worldwide of books and manuscripts dealing with the work of the Austro-German theatre director Max Reinhardt (1873-1943). It contains approximately 15,000 books from Reinhardt’s personal library and over 10,000 manuscripts, items of correspondence, photographs, programs, critical reviews, directorial promptbooks, writings, and related supporting materials totaling approximately 100 cubic feet.
Dates: 1880-1984; Majority of material found in 1894-1973

Photo album - Max Reinhardt part 2

 Item — Box 35, item: 7
Overview From the Collection: The Max Reinhardt Library and Archives at Binghamton University is one of several notable collections worldwide of books and manuscripts dealing with the work of the Austro-German theatre director Max Reinhardt (1873-1943). It contains approximately 15,000 books from Reinhardt’s personal library and over 10,000 manuscripts, items of correspondence, photographs, programs, critical reviews, directorial promptbooks, writings, and related supporting materials totaling approximately 100 cubic feet.
Dates: 1880-1984; Majority of material found in 1894-1973

Gottfried Reinhardt papers

 Collection
Identifier: BUSC-1979-004
Overview Gottfried Reinhardt (1913 - 1994) was a German-born American film director and producer and son of acclaimed Austro-German theatre director Max Reinhardt (1873 - 1943). This collection mainly consists of drafts and draft pages for his books Der Liebhaber:Erinnerungen seines Sohnes Gottfried Reinhardt an Max Reinhardt and The Genius: a Memoir of Max Reinhardt. Also included are his research notes and materials as well as correspondence. Much of the...
Dates: 1940 - 1994, bulk 1960 - 1979

The Max Reinhardt Archives

 Collection
Identifier: 5749
Overview The Max Reinhardt Library and Archives at Binghamton University is one of several notable collections worldwide of books and manuscripts dealing with the work of the Austro-German theatre director Max Reinhardt (1873-1943). It contains approximately 15,000 books from Reinhardt’s personal library and over 10,000 manuscripts, items of correspondence, photographs, programs, critical reviews, directorial promptbooks, writings, and related supporting materials totaling approximately 100 cubic feet.
Dates: 1880 - 1984; Majority of material found in 1894-1973

Sir John Martin-Harvey as Oedipus, 1912, 1936

 Item — Box 32
Scope and Contents Black and white photographs of Sir John Martin-Harvey as Oedipus in Max Reinhardt's Covent Garden production of Oedipus Rex.Included are three pieces of fan correspondence to Martin-Harvey, all dated 1936. These were most likely sent to him after his revival of Oedipus Rex at Covent Garden in 1936. Inscription at front of album reads "With Compliments, S. Langfier, 137 Sauchiehall St., Glasgow, 1912." Decorative label at back of album for S. Langfier, Modern Portraiture,...
Dates: 1912, 1936

Souvenir : The Miracle, 1924

 File — Box 107, Folder: 5
Scope and Contents Souvenir: F. Ray Comstock and Morris Gest present for the first time in America the stupendous, spectacular pantomime, the Miracle, staged by Max Reinhardt, book by Karl Vollmoeller, score by Engelbert Humperdinck, production designed by Norman Bell Gedes, entire production under the personal supervision of Morris Gest, souvenir under editorial supervision of Oliver M. Sayler, Copyright, 1924 by Morris Gest.Two copies, both are stamped Allan S. Jackson on verso of front cover....
Dates: 1924