Box 7
Contains 25 Results:
Johnston, Fred 1-4, 1969 - 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Yale 5-9, 1969 - 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Cleveland 11, 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
San Francisco 12, 1969 - 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Breton & Haines 17-19, 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Washington, National Gallery of Art 21-22, 1968 - 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Metropolitan 23-30, 1969 - 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
White House 30, 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
City Hall 31-32, 1969 - 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Hiester 43, 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.