Box 7
Contains 25 Results:
Colonial Williamsburg 79, 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Utica 80, 1969 - 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Smithsonian National Collection of Fine Arts 81, 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Darlington 82, 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.
Gibbes 83, 1969 - 1970
Materials in this subseries relate to the art exhibit about John Vanderlyn that Kenneth Lindsay curated at Binghamton University. Items in the subseries are the loan forms used by the university’s art museum to borrow Vanderlyn’s works held at outside institutions, letters to and from Lindsay about the borrowed works, photos of Vanderlyn’s paintings, and the catalogue that accompanied the exhibit.