The subject of this subseries is Lindsay’s research and inquiries about John Vanderlyn’s painting of President James Monroe. Many of the documents are letters between Lindsay and various art galleries, fellow scholars, and descendants of the Monroe and Vanderlyn families. Also found in the subseries are Lindsay’s handwritten notes and other related research items.

The subject of this subseries is Lindsay’s research and inquiries about John Vanderlyn’s painting of President James Monroe. Many of the documents are letters between Lindsay and various art galleries, fellow scholars, and descendants of the Monroe and Vanderlyn families. Also found in the subseries are Lindsay’s handwritten notes and other related research items.

The subject of this subseries is Lindsay’s research and inquiries about John Vanderlyn’s painting of President James Monroe. Many of the documents are letters between Lindsay and various art galleries, fellow scholars, and descendants of the Monroe and Vanderlyn families. Also found in the subseries are Lindsay’s handwritten notes and other related research items.

The subject of this subseries is Lindsay’s research and inquiries about John Vanderlyn’s painting of President James Monroe. Many of the documents are letters between Lindsay and various art galleries, fellow scholars, and descendants of the Monroe and Vanderlyn families. Also found in the subseries are Lindsay’s handwritten notes and other related research items.

The documents in this subseries are mostly letters between Kenneth Lindsay and various institutions, scholars, and private collectors. Subjects of the letters include information related to Lindsay’s work as a consultant in identifying paintings, the Vanderlyn exhibit at the Binghamton University Art Museum, and the possibility of creating an exhibit at the museum of Samuel F. B. Morse’s artworks.

The documents in this subseries are mostly letters between Kenneth Lindsay and various institutions, scholars, and private collectors. Subjects of the letters include information related to Lindsay’s work as a consultant in identifying paintings, the Vanderlyn exhibit at the Binghamton University Art Museum, and the possibility of creating an exhibit at the museum of Samuel F. B. Morse’s artworks.

The documents in this subseries are mostly letters between Kenneth Lindsay and various institutions, scholars, and private collectors. Subjects of the letters include information related to Lindsay’s work as a consultant in identifying paintings, the Vanderlyn exhibit at the Binghamton University Art Museum, and the possibility of creating an exhibit at the museum of Samuel F. B. Morse’s artworks.

The documents in this subseries are mostly letters between Kenneth Lindsay and various institutions, scholars, and private collectors. Subjects of the letters include information related to Lindsay’s work as a consultant in identifying paintings, the Vanderlyn exhibit at the Binghamton University Art Museum, and the possibility of creating an exhibit at the museum of Samuel F. B. Morse’s artworks.

The documents in this subseries are mostly letters between Kenneth Lindsay and various institutions, scholars, and private collectors. Subjects of the letters include information related to Lindsay’s work as a consultant in identifying paintings, the Vanderlyn exhibit at the Binghamton University Art Museum, and the possibility of creating an exhibit at the museum of Samuel F. B. Morse’s artworks.

The documents in this subseries are mostly letters between Kenneth Lindsay and various institutions, scholars, and private collectors. Subjects of the letters include information related to Lindsay’s work as a consultant in identifying paintings, the Vanderlyn exhibit at the Binghamton University Art Museum, and the possibility of creating an exhibit at the museum of Samuel F. B. Morse’s artworks.